In the realm of audio technology, signals are categorized into two main types: analog and digital. Let’s see the differences and what part of the signal in your audio chain is analog and digital.
Analog Audio Signals
An analog audio signal is a continuous representation of sound. It mirrors the waveform of the original sound precisely, with its fluctuations in amplitude and frequency being analogous to those of the sound waves in the air that our ears perceive as sound. This continuous nature allows analog signals to offer a very natural and accurate rendition of sound.
The primary medium for analog audio has traditionally been vinyl records and magnetic tape. In these formats, the variations in the signal are directly translated into physical grooves on the record or variations in the magnetic field on the tape, respectively.
Digital Audio Signals
Digital audio signals represent sound using binary data, converting the continuous analog waveforms into a series of discrete numerical values (samples) at specific intervals. This conversion process involves two key steps: sampling (measuring the amplitude of the sound wave at regular intervals) and quantization (assigning a numerical value to each sample).
Digital audio is the standard for most modern applications, from CD and MP3 formats to audio streaming services. Its digital nature facilitates easy editing, copying, and distribution without loss of quality.
What’s Digital and What’s Analog in My Audio System?
Starting with a streamer (could be a computer, a Blu-ray disc player,…), the audio signal is purely digital, represented by binary data that encode the sound’s characteristics. This digital signal is composed of a series of 0s and 1s, which are then sent to a Digital-to-Analog Converter (DAC). The DAC’s role is pivotal, as it transforms the digital signal back into an analog form, which is a continuous waveform mirroring the original sound.
In contrast, a vinyl player starts with an analog signal from the get-go. The grooves on the vinyl record are a physical representation of the sound waveforms, and as the needle (stylus) travels through these grooves, it converts the mechanical movements into electrical analog signals.
Whether the initial signal is from a streamer (digital) or a vinyl player (analog), it requires amplification to drive speakers. This amplification process occurs in the analog domain, where the amplitude of the analog audio signal is increased to a level sufficient to move the speakers’ drivers, creating sound waves in the air that we can hear.
Conclusion
The reason an audio system can’t be completely digital boils down to how speakers work. They need to turn electrical signals into physical motion to create sound. This process requires an analog signal, as speakers work by moving back and forth to push air and produce sound waves. This process inherently requires a continuous, analog signal to dictate the precise movements of the speaker’s diaphragms. Digital signals, with their discrete nature, must be converted to analog to facilitate this analog movement, bridging the gap between the digital realm of stored or streamed audio and the physical world of sound we experience.